Friday, June 8, 2012

Picasso: Masterpieces from the Musee National Picasso, Paris

Picasso: Masterpieces from the Musee National Picasso, Paris -- Now in AGO (Art Gallery of Ontario)

May 1, 2012 --> August 26, 2012









Brief Introduction
By Art Gallery of Ontario 

“I paint the way some people write an autobiography. The paintings, finished or not, are the pages from my diary.”  —Pablo Picasso (1881–1973)



Art was Picasso’s destiny. He could draw before he could talk, painted like an old master while still a teenager, and by age 30 he had taken Paris – the centre of the art world – by storm. Ceaselessly prolific, he devoured influences and created innovation after innovation, inventing new styles that forever changed the course of modern art. He was a genius and he knew it. Intense and passionate, he bucked authority at every turn, determined to carve out his own path to becoming the world’s greatest artist. Ultimately, every Picasso artwork is about Picasso – the works reveal his unique vision of the world and embody his profound responses to it. They lay bare the beauty and anxieties of his time, the horrors of war, as well as his personal passions, desires and fears.
"HE COULD DRAW BEFOR HE COULD TALK"
This exhibition offers a rare perspective on the life and work of this iconic artist: his own. It features works from Picasso’s private collection, now in the holdings of the Musée National Picasso in Paris. Over a career of more than seventy years, these are the works he kept with the intent of shaping his own artistic legacy.



The AGO is the sole Canadian and final venue on an international tour, which includes stops in Madrid, Abu Dhabi, Tokyo, Helsinki, Moscow and St. Petersburg, Seattle, Richmond, San Francisco and Sydney. The pieces on display span this modern master’s unceasingly radical and diverse career,Picasso: Masterpieces from the Musée National Picasso, Paris features:
  • The Death of Casagemas, one of the first works he created in Paris in 1901;
  • Autoportrait (Self-Portrait), the iconic 1906 self-portrait;
  • the 1904 Blue-period masterpiece Celestina (The Woman with One-Eye), and The Two Brothers, a 1906 work from his Rose period;
  • landmark African-inspired artwork that led to the advent of Cubism, including studies for the 1907 masterpiece Les Demoiselles d’Avignon and Three Figures Beneath a Tree, 1907-08;
  • examples of his genre-defining Analytic and Synthetic Cubism artworks, including the 1909-10Sacré Coeur, 1911’s seminal Man with a Guitar and 1915’s Violin;
  • Two Women Running on the Beach (The Race), a 1922 masterwork from his Neoclassical period, and 1925’s The Kiss, from his Surrealist period;
  • a series of sculptures created during the Second World War, including 1942’s Bull’s Head, and two bronzes, 1943’s Death’s Head and 1950’s The Goat;
  • The Bathers, the 1956 life-sized, six-piece figurative sculpture series created during a summer in Cannes; and
  • The Matador, the famous self-portrait painted in 1970, three years before his death.
The exhibition also highlights Picasso’s depictions of his muses and mistresses, including 1918’sPortrait of Olga in an Armchair, which features the Russian ballerina and Picasso’s first wife seated on a Spanish tapestry, the background left purposefully unfinished. French surrealist photographer Dora Maar, who inspired his 1937 “Weeping Woman” series, is also prominently featured, as is Jacqueline Roque, Picasso’s second wife and most-painted muse, depicted in the 1954 work Jacqueline with Crossed Hands.
Ultimately, every Picasso artwork is about Picasso – the works reveal his unique vision of the world and embody his profound responses to it. They lay bare the beauty and anxieties of his time, the horrors of war, as well as his personal passions, desires and fears.










               


























Information from Art Gallery of Ontario
For more information, visit: http://www.ago.net/home

Thursday, May 24, 2012

YM Art show @ Library

Hi guys! Looks like everyone having some busy weeks with course culmination projects but the YM ART SHOW IS ON!!!

FROM MAY 23 TO JUNE 6 @ LIBRARY!!!!

Here are some previews.








DROP BY AND SUPPORT AND APPRECIATE YOUR FRIENDS!! YOU DON'T WANNA MISS OUT!!


Vanessa =]

Tuesday, April 17, 2012

UP COMING EVENTS IN TOWN

John Abrams & Sung Ja Kim Chisholm @ Ioop Gallery


Time: From now until April 22, 2012

Cost: Free

Location:
Ioop Gallery
1273 Dundas Street West
Dundas Street West and Dovercourt


Exhibition by Ioop members: John Abrams entitled Entertaining Modernism, and Sung Ja Kim Chisholm entitled Transforming.


Entertaining Modernism comprises a selection of new painting and sculptures that emanate from John Abrams' ongoing interest in concepts of the modern found in film, sculpture and painting.


Kim's exhibition of figurative drawings and mixed media abstracts presents visual conceptions of two fundamental aspects of the human condition: childhood experiences, as well as alienation and spiritual hunger.





Pitches in the Western Wind Art Exhibit



Time: From April 19, 2012 - May 5, 2012
         Opening night reception, Thu, April 19: 6pm - 8pm
         Regular hours: 10am - 5pm


Cost: Free


Location:
Leonardo Galleries
133 Avenue Road
Avenue Road and Davenport Road

Artist James Simon, who is well-known as a portaitest and as the Sr. resident artist on the TV show Debbie Travis' Painted House, presents his first exhibit in Toronto, 'Pitches in the Western Wind'. The public opening reception is on Thurs, Apr 19 (6-8 pm) at Leonardo Galleries.

James Simon states, " These paintings (oil on canvas, cowboy boots and horse series) art about the four square feet we occupy wherever we stand. It is the essence of human rights and dignity, No one can challenge your right to be born or that you stand on a spot on Earth."

Seen globally in 72 countries, James Simon appeared as special guest artist on Debbie Travis' Painted House from 1997 to 2002, and enjoys a long career as a premier portrait artist.

Please visit www.leonardogalleries.com and http://wx.toronto.ca/festevents.nsf/a2f14808aae0d4f1852572ff0066124a/0609fe1f944924df852579e3000c1702?OpenDocument for more information.


Thompson Landry Gallery presents "Bonheur Facile" by Rock Therrien


Time: April 13, 2012 - May 6, 2012

Cost: Free

Location:
Thompson Landry Gallery
55 Mill Street
Mill Street and Parliament Street

The mixed media works of Rock Therrien embrace the humour that often touches the viewer through the artist's use of enlarged figures and playful text. His characters bring the canvas to life, evoking memories of family and home with a wit that is both joyous and profound. Despit the light-hearte subject matter of his pieces Therrien's work maintin the deeper essential concept, reminding the view that wiht the right tools, happiness is easy to achieve.

Please visit  www.thompsonlandry.com and http://wx.toronto.ca/festevents.nsf/a2f14808aae0d4f1852572ff0066124a/c0cd89b16a16463e852579cf005b671a?OpenDocument for more information.

Sunday, March 25, 2012

Just a Few Photos by Fanny

Florida, USA
                                            Somewhere on the Caribbean Sea...

Nassau, the Bahamas
by Fanny Chen
P.S. Hope you like it.   ^_^

Thursday, February 16, 2012

A feedback to painting class :)

I was in Grade 12 painting class last semester, and painting self portrait was our final painting.And I had no experience on drawing people, painting people. (Especially myself...) I have no idea what colour should I choose or how to start to draw the structure of my face!!! I thought I'm going to be a dead meat, but Ms. B made us do TONS of practices.
Through the process, I kept complaining to her why do we have to do this, she just gave me a smile and took my brush showed me where to fix. When I think back now, how immature I was. Even when I got nothing to do draw, I started to paint self portrait on my computer... it amazed me. I never thought my painting skill could reach that high level.

This may not my best drawing of myself, the eyes part is a bit off. But what I really want to say is... Practice really makes you perfect. And once again, "Ms. B thank you. You are one of my best art teacher. ;)" (But not the funniest, LOL)

Sunday, February 5, 2012

This is How We See The World

This is an still-life acrylic painting assignment students from Visual Art - Painting class did last  November and December.

Taking a look at these paintings, isn't it amazing to see paintings on the same subjects done by artists from different perspectives and with various styles?

Yes, York Mills' got many art talents. ;)




Artist: ChaoYing
My friend said that I should name my painting "The Romance between Mannequins" or "Star-cross'd Dummies". The colours are very powerfully used in this painting. and it turned out very emotional and enthusiastic, as if there is somehow a story between the two mannequins. 
Red, Purple, Yellow are the basic colours I used, and they are like a great team that works amazingly together. But I explored a lot with colour theory in this assignment and I followed a consistent style for this painting with smooth, fresh brush strokes. 




Artist: Rasa
I was really drawn to the relationship between the male and female dummies -- I ultimately created a narrative using the aforementioned, as well as a dummy head. I used mostly expressive brushstrokes and colour so as to incorporate some movement and action into the still objects. My palette consisted of red, cadmium yellow, magenta, cobalt blue, and white.



Artist: Kayleigh
My painting is called Dinosaur King, I guess. I was inspired by the dominative look of the dinosaur within the still life- that something that was so comparitively small could have such a dramatic presence. I wanted to experiment with brighter colours, so I exclusively used primary blue, red and yellow, with some cadmium yellow and lots of white. Overall, I think the painting looks great- and is a more optimistic portrayal of dominating personas, but I digress.



Artist: Naomi
This painting was an entirely experimental piece, where i explored a method of painting outside of my comfort zone. Although i still don't know how i feel about it, i am proud of the colours involved and would like to pass on that even though you may be unhppy with the end result, or decide to go back to the artistic style you are comfortable with, take all that you can from your detours because sometimes there are valuable skills you may pick up.


Artist: Kelly
 It was my first time to paint still-life in such a huge canvas and it was fairly fun. I tried to create a casual and free style so that the brushstrokes were kind of short and broken. I focus on dealing with the entire colour and construction relationship rather than small details of each objects. I use rich colours in order to show the reflectional colours betweeen the objects.

Do you believe in sell outs?


If any of you have been keeping up on the indie music scene, or just watch MTV Canada on a regular basis, you have probably heard of Lana Del Ray.

Many people have criticized her for being a sell out, because of the facial and style reinvention she did, in order to create a more marketable image. Many people exclusively dislike her on that basis alone- even though her music has remained the same.

Its ironic, that we feel that we can criticize artists who are just trying to live off of their art- especially when their new image does succeed in bringing more attention to their music.

For those who want to check out her stuff, search up songs like "Videogames" or "Blue Jeans"- she has a nostalgiac style straight out of the idyllic, suburban Americana from the 60s, and her songs are admittably catchy.

However, to be fair, her wealthy upbringing certainly gave her access to great marketing resources- but does that matter if people actually like her stuff? Life isn't fair, and there are certainly better artists, no one denies that, so why should we judge her? And who decides the definition of artistic integrity, especially if it is performance art, like music, where public opinion plays a huge role? Justin Bieber, Micheal Jackson and countless others were heavily molded by forces other than their own artistic desires, so how is Lana Del Ray all that different?